Photo by Craig Thoburn
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Author, prize-winning playwright and award-winning historian Meredith Bean McMath is the Managing Director of Run Rabbit Run Productions, Inc. and Run Rabbit Run Theatre. Her works include critically acclaimed plays, adaptations, and documentaries, musicals and operas, and historical programs commissioned by museums such as The National Museum of American History, The Newseum and the National Trust's Oatlands Plantation. Run Rabbit Run Theatre has won critical acclaim with its high caliber comedies, dramas and musicals, and two of McMath's original plays have appeared at the 2010 and 2019 Capital Fringe Festival. Professional work includes Marketing Director for several arts organizations, service on the Board of Directors for museums, theatres and arts organizations, historic fiction novels and freelance articles. 
"An Afternoon with the Caldwells: the Junior Abolitionist Society" commissioned by The National Museum of American History for the "Within These Walls" Exhibit
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ARTICLES ABOUT McMATH...
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CURRENT SERVICE
Marketing Director and Board member for VSA - Loudoun, the nonprofit organization dedicated to providing arts and theatre arts opportunities for the disabled and their families. Former Service: Marketing Director and Board Member - Loudoun Lyric Opera; Board of Directors member - Loudoun Arts Council and the Loudoun Youth Initiative; Member - Leesburg Performing Arts Center Economic Task Force; Region IVb Grant Panelist - Virginia Commission for the Arts; Theatre Judge - Loudoun Arts Council's Gale Waldron Excellence in the Arts awards. EDUCATION
HISTORY HONORS
PLAYWRIGHT / THEATRE HONORS
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In this July 2018 interview, Nancy Wyatt of My Persuasive Presentations takes a close look at Run Rabbit Run Theatre and McMath's work:
"My evocative conversation with Meredith reminded me of the adage given to actors using the Acting Stanislavski method. It states that, while performing, they should listen and respond, not just memorize their lines and speak from rote. Meredith lives Method Acting in a real-life expressive discourse..."
"My evocative conversation with Meredith reminded me of the adage given to actors using the Acting Stanislavski method. It states that, while performing, they should listen and respond, not just memorize their lines and speak from rote. Meredith lives Method Acting in a real-life expressive discourse..."